Giving Back

Say one day you are sitting at a café after a long day of work taking iced tea or whatever it is you fancy. Across the road from the restaurant is a curio shop which seems to be having a sale. You’ve never seen a curio shop do promotional sales before,  at least not one with mascots in giraffe and elephant costumes. How do they do it with all that heat – you wonder. Going back to your phone, you hear chatters and giggles. One laugh, in particular, attracts your attention. So you look up and see this group of school kids in hysterics. They look so fascinated by the mascots -I mean their eyes are even sparkling (am just assuming at this point cause how can you possibly see their eyes from across the road in a coffee shop).

They have been standing at the curio shop for almost an hour now. And as you leave to go home, you hear them talk of how they’d love to meet the real giraffes and elephants. The longing in their voices is so overwhelming. It takes you down memory lane. Childhood memories of going for school trips to national parks and how you could not sleep the night before any of these trips. You’d love to give them this experience because every child deserves to be happy.

At the Giraffe centre, we have enjoyed the privilege of bringing smiles to thousands of these children. The inspiration that brought to life our Ecological trips was not just born over a cup of tea but the desire to educate and pass on the knowledge of conservation. So for the last nineteen years, we have committed to taking school children, especially from rural or disadvantaged backgrounds to these day-long trip.

Each year, in partnership with Kerrigan Waves Trust, we take students from  Mukuru Kayaba Primary School to the Ecological trips. These trips’ aim is to learn while having fun as some would call it- edutainment.  It starts with a trip to our centre. Here the kids can feed the giraffes and if lucky kiss them too. The next stop takes us to Mamba Village, which is an Ostrich and Crocodile Farm. Did you know that crocodiles don’t have tongues? And that male Ostriches are called Roasters? Thought you should know, Cool stuff there!

From Mamba Village, the school proceeds to Nairobi Animal Orphanage. Here they see the Big Five animals and many other animals that have been orphaned or injured and are under rehabilitation. It is an amazing sight to come close to a roaring Lion or a panting buffalo. Their final stop is the David Sheldrick Animal Orphanage. Have you seen an elephant up close? They are magnificent creatures. Tender giants of sorts, and quite frankly my bias. The kids learn how emotional and demanding elephants can be, which explains why they are very social.

The day ends with a spectacular meal in which the educators and children interact and share exciting things they learnt from the trip. Eventually,  we take them back to school and wait to read their compositions on that experience. It is a fulfilling job to give back, a habit that should be inculcated in all of us.

A tale of wildlife photography

If you are an intrepid soul that only finds peace in the knowing, then David Attenborough would be your best friend. He being a curious individual by nature has spent a better part of his life exploring the wild and bringing it closer to our homes. I remember for the longest time the only TV channel we’d watch as a family that resonated with all of us and would almost immediately put an end to the remote control fights would be the Nat Geo Documentary – Blue Planet.

His calm voiceover as he spoke of the high seas and low tides took us to places we’d never been. I blame my introverted nature on of some these series because I would prefer sinking to a world of fantasy, my little haven of sorts, than having a mindless chatter with those around me. I know what you are thinking. Yes, this is not proper behaviour, especially in cooperate spaces. I am working on it. There’s always room for the personal growth right?

The other day, Netflix released David Attenborough’s documentary- Planet Earth. Now, I won’t lie to you because no one is paying me to promote it, but the truth is the series is dope! To show you that I have grown as an individual, my thought process consequently evolved from the lines of, are mermaids real to more sophisticated thoughts like what is the role photography in the conservation of wildlife?

So I did a bit of nose-diving, thank God for the internet!  and came across two intriguing wildlife photographers. Their works could arguably stem on inspiration from Sir Attenborough. Fun fact:  Sir David Attenborough was knighted by the Queen of England for his exemplary work in natural history programmes.

 

Let’s start with the less complicated photographer-  Matty Smith. So Matty is an ocean explorer and photographer who mainly focuses on showing the difference between the dry land and the deep seas. His collection, a Parallel Universe: Windows beneath the Waves, showcases some of the best- half over half under – water photographs the world has seen.

 His signature style of taking images of marine life has won him internationally acclaimed awards and recognition. One of his photos that gives me the creeps is the  Smiling Assassin which shows an American Crocodile lurking on the water surface but seems somewhat ready to pounce on his unwary self.

Karren Lunney is the second photographer who deals with more contemporary and  complex  ideas.  Her concepts rally around liminal spaces. In this case, liminal spaces mean states of transition, a point of uncertainty where a thing has ended, and another is yet to come.

 Take, for example, a rite of passage, the point just before you are initiated into adulthood. It is a point of uncertainty, and these are the kind of situations Karren loved to document in the wild.

Her famous collection, Dante’s Inferno. Showcases a confusion of wildebeest ( for my diligent students a confusion of wildebeest is the collective name for a group of wildebeest) migration as they cross over from the Maasai Mara to Serengeti plains. During the migration, the Wildebeest cross the Mara River which is inhabited by crocodiles, and some of the wildebeests fall, victim. In Karren’s view, it is a point of uncertainty if the wildebeests will make it to the other side of the river. It is also a test of bravery as with all rites of passage.

You all have to agree with me when I say, wildlife photography is not just a way of documenting our heritage but also a way of life. It is rather sad to note that very few Africans have actually ventured into this art of photography. And as the world evolves, I do hope we begin to document our own beauty as a continent.